Tips and hints to help you become a successful
magician:
Practice in front of a mirror so you can see the
trick as your audience will. Practice lots!
Practice the "patter" as well as the
trick. Figure out before hand what you want to say during the
show. Good patter will help distract the audience just enough to
keep them from guessing how you've pulled off your magical
feats! Here's a start for you:
I have a magic trick for you.
It should be lots of fun.
Pay very close attention,
And guess how it is done!
Resist the temptation to tell how the trick
worked... keep them guessing and they'll be even more impressed with
your show.
Never do the same trick more than once for the
same audience. It makes it too easy for the audience to guess
how it was done.
Control the seating arrangements... some of the
tricks require that the people be looking straight at you. Have
the audience remain seated throughout the show.
Wherever you can, borrow the objects from the
audience... coins, pencils, napkins, etc. Borrowing from the
audience makes it seem like the magician hasn't had time to do
anything sneaky to the item. This makes everything seem more
magical!
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Some serious students of magic strive to refer to effects by a proper name, and are also concerned with the proper attribution of the effect's creator. For example, consider an effect where the magician shows four aces, and then they turn face up one at a time in a mysterious fashion. This effect might be recognized as Twisting the Aces, which is attributed. Some tricks are listed merely with their marketed name (particularly those that are sold as stand-alone tricks by retail dealers), whereas others are listed by the name given within magic publications.
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In its simplest form, the trick works by placing the hat on a specially made table or chest. Both the hat and the surface it is placed on will have a hidden opening in them, through which an object stored in a compartment in the table or chest can be pulled. Alternatively, the performer can produce an item hidden in their sleeve using This eliminates the need to place the hat on a surface, and also allows the performer to give the hat to an audience member for inspection.
This trick is also traditionally performed for children, since it is a basic trick with basic props. magician folding a coin up within a piece of paper seemingly trapping the coin therein. However, the magician then causes the coin to vanish and (often) reappear elsewhere. Magic literature (within the 20th century) contains numerous references to coin fold techniques and presentations. The "trick" is simply built around special procedures or techniques in folding the paper such that it appears that .There is discussion among magicians as to how a given effect is to be categorized, and disagreement as to what categories actually exist—for instance, some magicians consider "penetrations" to be a separate category, while others consider penetrations a form of restoration or teleportation. Some magicians today,
Production: The magician produces something from nothing—a rabbit from an empty hat, a fan of cards from thin air, a shower of coins from an empty bucket, scape: The magician (an assistant may participate, but the magician himself is by far the most common) is placed in a restraining device
Escape: The magician (an assistant may participate, but the magician himself is by far the most common) is placed in a restraining device
Coin effects include productions, vanishes, transformations, transpositions, teleportations, penetrations, restorations, levitations and mental magic — some are combined in a single routine. A simple effect might involve borrowing a coin, making it vanish, concealing the coin, then reproducing it again unexpectedly and returning it to the owner. More complex effects may involve multiple coins, substituting or switching coins and other objects or props can be employed. audience from the secret of the gimmick. A performer who relies entirely on special equipment may not impress an audience. Many people are more impressed by an effect which depends (or seems to depend) entirely on skillful manipulation and misdirection than by an effect which appears to depend to some extent on specially made props. A performer who has mastered the basic skills can nonetheless use gimmicks to powerful effect without it being obvious to the audience. Some magicians prefer not to use gimmicks at all, though most well-known coin magicians do utilize simple coin gimmicks.
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